17 December 2012
The World Design Capital is to be hosted by Cape Town in 2014, with the theme “Live Design, Transform Lives”. The previous events and the current one in Helsinki have shown that the notion of ‘design’ as a tool can be interpreted widely. It encompasses the creative way of conceiving objects, places and spaces, as well as processes. The City’s vision is for us to work together to transform our city into one of the most inclusive, sustainable, liveable and productive on the African continent. For this to happen, the activities of WDC 2014 should have meaning to ordinary people and designs must be relevant to the needs of society. It thus begs the question, what are the key challenges we face, and how do we use design as a transformative medium to achieve our objective? The WDC platform offers a wonderful opportunity for our communities to build partnerships with NGO’s, academia, professionals, business, designers, and government to promote, nurture and transform the conceptual people’s plan for Princess Vlei into a design for a high quality multi-purpose district urban park. This idea has already been mooted in the now approved Cape Town Spatial Development Framework, as well as the District Spatial Plan. The efforts of the Princess Vlei Forum to-date have served to highlight the cultural value of the landscape, bridge historic divides, build partnerships, reconnect people with the meaning and spirit of place, and rebuild social and economic inclusion. But how do we harness the problem-solving powers of our designers, and the creativity and resourcefulness of our communities, to create innovative solutions that will improve the quality of lives through design? This is our challenge, and we invite you to participate in the discourse of how we can best celebrate overcoming our own problems in the face of adversity. You might have the energy, an innovative idea, information, inspiration, a dream, or resources that can be shared to invent practical design solutions to on-the-ground problems in a collaborative way. We encourage you to join hands with the PVF and to visit our website as well as that of the WDC 2014 – get involved, help inspire the youth, help build a legacy, make our area safe, celebrate our diversity, experiment, and be creative.
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Henrik Ernstson
24 October 2012 On October 6, Menngos hosted a Jazz concert to celebrate and honour Princess Vlei. This inspired the following article.. Can you play Princess Vlei? Can you bring her to life through the tunes of jazz? The drummer swirls tenderly across the cymbal, chip-chip on the hi-hat, and the gentle thumping on the base drum. Progressive rhythm, missing every third back-beat and then allowing the trumpet to enter on a high note, which ripples the water of the vlei. The black singer's vocal cord brings in tension, for a moment, the swaying movement of the Erica bush, its whispering communication with the soil is arrested in listening, together with the gathered crowd, on the jazz group playing. The group is trying out something. Experimenting if it is possible to bring the fynbos, the waters of the vlei, the pelicans searching for fish, the pounding hearts of the humans, and their silent dead ones - to bring them all in communication, in vibration with the mixing of tunes and rhythms. This is a trick, but one that might fail. If it happens, it is felt. If not, anticipation will stay in mid-air until the band stops playing. This is also what those involved in resisting the shopping centre and mobilizing the vlei are doing. Like a jazz band, they have crafted instruments and play them to touch people's hearts. They too are improvising, feeling their way in how to come together and shift into the next rhythmic section, searching for the way to pass on their message, and address and connect people and plants. Their practice of messaging is an experiment in delivering the complex and shifting rhythms and tunes of the value of the vlei, hoping to create resonance in pounding hearts, to strengthen their music and voices. In playing their jazz, they are trying to bring the dead alive, black, coloured, the Khoi and the San, so they can walk with dignity among us on the shores of the vlei: seeing, hearing, sensing the flowers, bushes, the birds chirping and the sun setting over Elephants Eye Cave. With their instruments they are playing with the children to join and plant trees and flowers,‹and to weave giant dream catchers to evoke and provoke and make palpable a desire to keep the vlei alive. They are resurrecting it to its proper place among the many everydays that are spun in and through the vlei by those alive, and those dead. Their playing of jazz to resist the mall and bring about an alternative is moving outwards, radiating, jumping fences to enter new locations, from Grassy Park, Elfindale, Lavender Hill, to Simons Town and Johannesburg; and then, from there, their act of messaging is meeting people when they are on their way to work, upon entering a store to buy bread, when opening the newspaper, when listening to the radio, when visiting friends, or when walking at the side of the road. The value of the vlei comes with jazz in progressive rhythms, missing every third back-beat to allow the trumpet to enter, and then the singer, the strong voice, that breaks through to ripple the surfaces of vleis and minds to bring in a feeling of value. This value resists being coded into simplistic protocols, but insists on your humanity to grasp it; a connection to past histories; to feelings of sorrow and joy, of melancholia, hope and pride. Henrik Ernstson is a researcher at the African Centre for Cities, University of Cape Town. He writes this in his personal capacity. Press Release 5 October 2012
The Princess Vlei Forum would like to respond to MEC Anton Bredell’s statement (quoted by Peter Luhanga in the West Cape News, 30/09/12) that the City “made a mistake” when it approved the shopping mall development on Princess Vlei in 2002 . We would firstly like to hail this acknowledgement as a victory for democracy. We are confident that it is only the unflagging determination by concerned citizens to protect this valuable heritage has persuaded the Minister to acknowledge this error of judgement. We trust that this is the first step in reversing the decision to support the mall development bid. However, we do have a number of queries and concerns:
We would like to note that members of the City Council have consistently expressed unhappiness with this development bid, as demonstrated by SPELUM’s refusal to extend the rezoning. SPELUM made this call after reviewing the bid in the light of evidence brought by concerned residents, which highlighted the rich cultural, historical and environmental value of Princess Vlei. SPELUM’s response was an instance of local government doing its job: ie. taking into account the views of the public and making a decision for the greater good. It is most regrettable that this decision was then overturned by MEC Bredell. We hope that the recent decision by Mayor De Lille to limit the powers of SPELUM it is not an indication that the local government will be less transparent, responsive and accountable on planning decisions in the future. We believe that the gains made by the campaign to save Princess Vlei, and the irregularities uncovered by Cochrane, demonstrate the need for and power of a vigorous civil society to monitor the decisions of our public officials, ensure that they are responsive to the needs of our citizens, and ensure that they are fully transparent and accountable as they so often claim to be. We eagerly await a full and thorough investigation of these irregularities and trust that the City Council will be more transparent and accountable in its dealing of this matter than has been the case up to now. The Princess Vlei Forum, and the rehabilitation project Dressing the Princess, have enjoyed a collaborative relationship with relevant branches of Local Government, in particular in the Biodiversity Management Branch and Parks and Forestry. We are confident that the development bid will be defeated, and look forward to continuing this partnership to develop Princess Vlei in a culturally and environmentally appropriate and sensitive manner. Press statement: 21 September 2012
The Princess Vlei Forum would like to express our concern around the alleged irregularities and possible corruption in the development bid for Princess Vlei. After extensive research on the relevant documents, Forum member Kelvin Cochrane has revealed that:
Cochrane has details of further irregularities. This information has been given to the NPA to investigate with a view to charges laid. On Tuesday, Cochrane met with Councillor Jeremiah Thuynsma, Chairperson of Subcouncil 9 and a member of SPELUM. Thuynsma who has undertaken to lodge the claim with the Public Protector. In relation to these irregularities, we would like to note:
Bridget Pitt, Cape Times, August 31 2012.
WE LIVE in a divided city. A city riven by history, by class, colour, culture, language, creed. Those who have and those who don’t. Those who are allowed to dwell in the natural paradise of our landscapes, and those forced to live in polluted, ugly wastelands. The council house dwellers, the shack dwellers, the new-comers, the old timers, the larnies in their mansions on the hill. The cracks that divide us run deep, mirrored by the lines that snake across our city: railway lines, highways, rivers, mountains − the constructed and natural boundaries which the apartheid government deployed so successfully in that pernicious social experiment called the ‘Group Areas Act.’ Our social and cultural divisions are mirrored too by the isolation that poor city planning has imposed on the natural systems that underpin and sustain our city’s environment health. Forests are fragmented and die, fynbos struggles in small patches, cut off from pollinators, the waterways are polluted, diverted, clogged, damned, canalised, forced underground, drained, and built over. Nothing thrives in isolation. Ecosystems and social systems depend on communication, on a free flow and exchange of resources and ideas, on collaboration. And on a profound recognition that we depend on each other: we are all in this city together − if some go down, we all go down. We can put up walls and electric fences to keep out the undesirable humans (and animals) who threaten our lifestyles, but in the end if our city does not function as a healthy socio-ecosystem, no fence will be high enough to keep out the desperation and chaos that ensues. It is hard to overcome these barriers. Our city is scarred by years of politically manipulated or short-sighted planning driven a mean and self-centred vision, and by discriminatory neglect. But every now and then an opportunity comes. A chance is offered to those in charge of our interests to show some grace and wisdom and display an ability to see the bigger picture and act in the interests of all; to nudge our city onto a path that offers our children greater hope and greater promise. The Princess Vlei story is one such opportunity. First, it is a water course: by its nature a highly valuable connector gathering the waters that flow from Cape Town’s southern mountains and the waters from our storm water drains, and feeing them into the great wetlands of Grassy Park, Zeekovlei, and the sewage works, before releasing the waters into the sea. In this it plays a valuable role in cleaning water, preventing flooding and offsetting storm damage. Secondly, the Princess Vlei connects our ecosystems, providing a habitat for birds, insects, aquatic life − few remaining wild creatures and plants who share our cities and provide us with a priceless engagement with nature. For many that would be enough to make it worth conserving. But it does so much more than that. It connects us to our heritage, plugging into that evocative story of the Khoi Princess, who lived in Prinseskasteel (now known as the Elephant Eye cave) and was raped, murdered or abducted by European sailors. The Princess has gone, but her legend lives on vividly in the memories of those who grew up around the vlei, passed down through generations. Here is a connection to the first people of our nation and our city, the ones who bore the brunt of European colonialism, who were enslaved, dispossessed and hounded into virtual extinction. These people represent the closest connection we have to a common ancestor, and offer some small glimmer of understanding as to how those early humans lived before the great migrations into Europe, Asia and America. The Princess Vlei also connects us to our later history. After the waves of expropriation and forced removal in the sixties and seventies shattered so many homes and families, it became one of the few natural areas that black and coloured people could access. Thousands of residents have some memories linked to the vlei as a refuge from the bleak dormitory estates they were now forced to occupy. For Black Baptismal Churches it became a symbolic link to the waters of the ancestors. The Princess Vlei connects us to our present. Located on the fault line between wealthy, white Cape Town and the vast sprawl of the Cape Flats, it offers a meeting point for Capetonians from both sides of the divide to come and enjoy the tranquil beauty of the water nestled amongst the reeds. Church members still come from Phillipi and Khayelitsha to be baptised in its waters; while for local residents it offers a leafy respite from the mean streets of Lavender Hill and Lotus River. Children catch tadpoles in the shallows, adults fish, or paddle canoes across the lake. And of course, the Princess Vlei connects us to our future – either to a future where socio-environmental needs are recognised and honoured; or one that is more divided, more fragmented, one step closer to self-destruction. A glimpse of the future has been offered in the unprecedented campaign by the local community and others to save the vlei. Workers, environmentalists, school children, civic members, and faith groups have been volunteering to rehabilitate the Vlei’s vegetation degraded by years of institutional neglect. They have held several community events on and around the vlei, from break dancing for local teenagers to a Woman’s Day tea party for the elderly. At these events, octogenarians have offered to lie down in front of bulldozers; school children have vowed to fight for the vlei. Capetonians have occasionally come out to fight unwanted development in grand, iconic spaces such as Table Mountain. But I cannot think of any instance when such passion has united such a diverse group over a relatively humble natural feature. The inspiration driving these endeavours is the “people’s plan”: a vision of a socio-environmental development of the Vlei that celebrates the Khoisan heritage; inculcates in our children a love of and appreciation for nature; provides a haven of serenity for communities wounded by poverty, overcrowding and crime; draws together the fragmented corners of our city by devising hiking trails from the Vlei, linking the Elephant’s eye cave to Macasser dunes and Khayelitsha; and provides income opportunities for locals through tourism and small, environmentally appropriate retail. And a vision that restores the Vlei to its natural glory and enables it to do its work of absorbing floodwater, offsetting the damaging consequences of climate change, nurturing life, and purifying our water. It does not seem to require much goodwill or imagination to leap at this opportunity to heal the fractures of our city and build a common and invested future. And yet, MEC Bredell, a man elected to serve our city, our people and our environment, has chosen to irrevocably destroy this asset by extending the rezoning of this property. In doing so, he overturns the decision made by the city council to scupper this ill-advised proposal, and gives the developers a chance win their bid to build a double volume shopping mall and taxi rank. Only the most cynical can claim that this mall will not overwhelm the natural space; choke the Vlei with building rubble; poison it in the coming years with toxic run-off; and force out of business small local traders who currently bring jobs and much needed income into these communities. Oscar Wilde once said, “Nowadays, everyone knows the price of everything and the value of nothing.” How true this is of MEC Bredell. Whatever price the city has been offered for the Princess Vlei, it is too low. The value of a conserved vlei is priceless. Equally, the cost of the mall to our environment, to our struggle for a common citizenship and unity is incalculable. It may be useful to remind our provincial and local government that they are the stewards of our land, not the owners. Princess Vlei is not theirs to sell. The land belongs to us, to our past, our present, and our future. We as citizens need to hold our office bearers accountable, to ensure that they take proper care of our precious natural resources and assets, and do not squander them for inequitable profit or short-term gain. The Princess Vlei is our Princess. And she is not for sale. © Bridget Pitt, Cape Times, August 31 2012. |
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